Jean Vigo

Jean Vigo
Born 26 April 1905(1905-04-26)
France
Died 5 October 1934(1934-10-05) (aged 29)

Jean Vigo (26 April 1905, Paris – 5 October 1934) was a French film director, who helped establish poetic realism in film in the 1930s and was a posthumous influence on the French New Wave of the late 1950s and early 1960s.

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Biography

Vigo was born to Emily Clero and the prominent Spanish/Catalan militant anarchist Eugeni Bonaventura de Vigo i Sallés (who adopted the name Miguel Almereyda - an anagram of "y'a la merde", which translates as "there's the shit"). Much of his early life was spent on the run with his parents. His father was strangled in his cell in Fresnes Prison on the night of 13 August 1917; allegedly the authorities were responsible.[1] The young Vigo was subsequently sent to boarding school under an assumed name, Jean Sales, to conceal his identity.

Vigo was married and had a daughter, Luce Vigo (a film critic) in 1931. He died in 1934 of complications from tuberculosis, which he had contracted eight years earlier.

Career

Vigo is noted for two films which affected the future development of both French and world cinema: Zéro de conduite (1933) and L'Atalante (1934).

He also made two other films: À propos de Nice (1930), a subversive silent film examining social inequity in 1920s Nice; and Taris, roi de l'eau (1931), a motion study of swimmer Jean Taris.

Zéro de conduite was banned by the French government until after the war and L'Atalante was mutilated by its distributor. Both have outlived their detractors however and L'Atalante was chosen as the 10th-greatest film of all time in Sight & Sound's 1962 poll, and as the 6th-best in its 1992 poll. In the 1990s a complete copy of L'Atalante was found in Italy and the oeuvre was restored to its integrity.

Legacy

References

  1. ^ Gomes, Paulo Emílio Salles (1971). Jean Vigo. University of California Press. pp. 27–29. ISBN 9780520016767. 

Further reading

External links